#most of you are faking

[pessimisticpigeonsworld]

that you bake of this

I find it interesting how the first poster is accusing groups of TB stans of not handling criticism, when TG stans (particularly Alicent stans) are the ones most often "melting and crying" over criticism.

Pointing out Alicent's hypocrisy and cruelty, the fact that Aegon is a rapist, and Aemond was a coward and cruel are all met with screaming. They flat out deny any facts of canon that show how awful their favs are. I've been told to kill myself multiple times just for pointing out actual canon things Alicent has done. Like, the call is coming from inside the house TG lmao.

I don't deny that there are certain people who claim to be TB but have absolutely braindead takes (namely certain Daemon stans, which is very sad). But the fact of the matter is, those people are a very small percentage. The percentage of insane people who can't stand criticism is wayyyyyyy larger in the TG fandom.

Most of TG stans' so-called criticism of Rhaenyra is just calling her a whore, saying she roll over and take any injustice, and that she's not nice enough. Of course we get annoyed and angry with that, it's not even actual criticism; it's just noise. The few times they actually have valid critiques of Rhaenyra, they still tie it in with calling her a fat whore. Anything of worth they could possibly offer is always completely bound to their intense hatred of Rhaenyra.

No, Rhaenyra isn't perfect, we don't expect people to just blindly worship her. She's not a good person, she's classist, and she wrongfully ordered the executions of innocent people twice. However, she's the rightful heir, that's literally a fact. We expect Rhaenyra to be supported because she's a victim of the patriarchy and misogynists. She doesn't have to be your favorite character, but the fact remains that she's the rightful queen and the Greens are usurpers and warmongers.

As for the whole "team smallfolk" idea: it's basically always used as an excuse to be blatantly hateful towards Rhaenyra. The "team smallfolk" and "team neutral" people never attack the Greens with the same vigor as they do Rhaenyra and her family. In fact, most of them even say that they're "green leaning".

The contradiction in this idea of supporting the smallfolk and the Greens simultaneously is that if the Greens hadn't interfered, the Dance and the deaths of the thousands of smallfolk wouldn't have happened. Rhaenyra and the Blacks didn't start the war, the Greens did. The Greens committed the most atrocities and refused every single offer of peace Rhaenyra offered.

I think the second poster is hilarious though. I don't know if they're TG, I assume so based on the subreddit. I don't know if they meant to, but they pointed out just how hypocritical the first poster's mini rant was. The first poster tacked on "Also they hate "Team Smallfolk," and the second poster pointed out how most of TG also just don't give a shit. Even if the second poster isn't TG and was just going to that subreddit to start something, there are still so many TG stans who admit that the smallfolk don't matter to them. I even had an anon once tell me that the maids Aegon raped don't matter to them as an answer to why they like and support him. I'm not going to say that they're right on not caring, but at least they're not hiding behind that false moral superiority.

Like I said earlier, the Greens were the ones who caused the deaths of thousands of smallfolk, both indirectly by starting the war and directly through Aemond and Daeron. The Greens didn't care about the smallfolk in any way, they only cared about power. Any TG stans who act like they're "better for the smallfolk" are delusional.

To sum up my thoughts: the first poster is projecting. Every single one of their criticisms apply better to their own group. The delusion and false superiority that poster displays are hilarious and frustrating.

[canisalbus]

If only Machete wasn't so distinctly white and waifish. Otherwise one could possibly use a lookalike to fake his death and just run away with vasco. But finding someone that resembles machete would be almost as hard as making the choice to end a life to save your own.

.

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[danmeichael]

edit: if your answer is "multiple", just select one of them (i know it's hard, vampires are so appealing for so many reasons but i believe in you)

additional tip: if your answer is "their struggle with their humanity and their monstrous urges... how eternity shapes someone....." the correct option for you to select is brooding/angst. oh and if your answer is the appeal of being ravenously desired, you want normie omegaverse.

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[itwaslegendary]

“taylor has changed so much why is she bringing her boyfriend on stage :/“

no actually this same taylor swift mouthed “hi taylor” on SNL while talking about people asking her if she’s “dating the werewolf from twilight” and she used to namedrop people on songs, she has not changed at all

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.

[uncanny-tranny]

Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.

[irregularjohnnywiggins]

You ever have those moments where an idea just... won't leave your head?

[ew-selfish-art]

DpxDc AU - If his parents are going to treat him like a punk, he might as well lean into it. 

Danny is getting seriously worn down by his parents constantly asking him to explain why he’s gone all the time and why his grades have slipped so far. I mean, sure, it took them months to notice, but now that they have, they’re alluding to the fact that he’s turned into some kind of punk and that he’s not taking life as seriously as he should be. This is what makes Danny kind of snap. 

He cuts his hair, gets Sam to pierce his ears in a few places (which sucked but was nice to catch up with her since Team Phantom didn’t get out much anymore), learns how to skateboard and gets Tuck to help him mask his identity on the internet as he begins online protesting the unethical treatment of ghosts. He makes picket signs that he leaves outside of Fentonworks and it takes days before his parents see them because they’re down in the lab. They go back up immediately after his parents take them down, and he begins tagging buildings with protest sayings and art all over amity park.

No matter how they ground him, the Drs Fenton are at a loss as to what to do to control Danny. Jazz says it’s not her place to interfere and is cheering her little brother on for being passionate about a new hobby. 

Danny’s honestly really vibing with the changes. He always understood why Sam wanted control over her own look, but he’s really leaning into the whole shebang. Ember and Johnny13 have never bonded over anything more than they have the punk transformation of their King. He’s really representing them fr fr- she taught him how to play the bass. 

With enough protests about the Anti-Ecto acts, the JL step in and begin their efforts to lobby change within the US government. Constantine is up to date on the new King being from Earth and thinks they might be able to weasel out a non-apocalyptic scenario if they reach out sooner than later. A letter gets sent through the infinite realms (No way in fuck was John going to try and summon a fucking King excuse you Bats)- Danny gets the letter and decides to let them sweat a bit, sending back his own letter that just says “K.” cause he’s learned that adults/authority figures all suck ass until proven otherwise. After a few days, a portal opens up in the middle of their meeting. 

Ghost King Phantom is rolling in on a skateboard, with the Ring of rage dangling from one of his ear piercings and ice crown floating above his head. He’s drinking an off brand smoothie, wearing a leather jacket that has medieval chainmail on it over his now distressed hazmat suit and his boots steel toed.

“...Sup. Y’all want to do something about this whole situation? I’m an all or nothing kind of guy.” Danny greets them. He means that he’s willing to be diligent in his efforts to disbar the Acts. It gets interpreted as him threatening to end the world, ofc, but that’s an issue he has to deal with later. 

“King Phantom we have been working daily to-” 

“Uh huh. Look, didn’t you guys have like a teenage group? I want to work with them, they’ll probably actually help me get shit done while you fuck around with paper work.” 

[chanrizard]

DominATE World Tour ✧ SEOUL D-2 (240825) ending ment

© OVERHEAT915

[undertheredhood]

bruce 'tired single dad' wayne: *lecturing jason once again on something he did during a fight*

jason 'theatre kid extraodinare'' todd who immediately starts fake crying on the spot: do you just not love me anymore?

[silusvesuius]

baby👶 drawings. these are very dear to me rn.. 2nd pic is my Nelavis with @barvin0k's Varonur 🩵 last one is a baby bosmer and snow elf, hairiest of them all. although the bosmer was meant to be my girl Barletta too lols

[panties-on-boys]

oh look it’s eddie’s blood circling richie’s ring finger like a wedding band

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[inkskinned]

it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.

like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips

because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.

bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.

and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.

these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?

and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.

in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.

it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.

and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.

"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."

"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."